Herzog in a Star Wars western? Meet ‘The Mandalorian’ (Review)

“The Mandalorian,” the first live action Star Wars TV series, is the Star Wars fan’s wet dream. It is a gritty take on Star Wars, so obsessed with the scum and villainy side of the story that it… Read More

Strange transits through “The Daylight Gate” (review)

Unfailingly dire, unflinchingly bloody, full of love and license, and brimming over with real devotion and all-too-human devilry, Jeanette Winterson’s “The Daylight Gate“ is at once a history lesson, historical fiction, and a romantic tale of the fantastic. Centered on England’s first recorded with trials in the grim aftermath of the Gunpowder Plot of 1605, this post-Elizabethan milieu is peopled with historical figures Winterson has made entirely her own.

Let sleeping dogs lie: Gene Wolfe’s “The Fifth Head of Cerberus” (review)

Trust is a slippery prospect in Gene Wolfe’s collection of interconnected novellas, “The Fifth Head of Cerberus” — and while the oft-unfortunate characters that populate the book certainly have their own issues of trust, confidence and reliability in their lives, the one who really is left grasping after truth, and even a genuine sense of reality within this singular narrative collection, is the reader.

On Octavia E. Butler’s birthday, why not read some of her game-changing classics?

Active from the ’70s into the early ’00s, Butler was one of the first African American women to make an impact in science fiction. As a writer of extraordinary, painful humanity and uncompromising vision, we’d suggest that perhaps one of her only real peers is J.G. Ballard.

Everything I know about ‘Godzilla: King of the Monsters’ I learned from ‘B.P.R.D.’ (review)

The plot, such as it is, involves a misguided alliance between a noble scientist and cold-blooded ecoterrorists. There’s some good acting — as well as some scenery-chewing, in the literal sense as well as metaphorically.

It’s a wonderful Apocalypse (review)

Comedy is hard, especially the written variety, and by that measure alone one would be tempted to wonder how “Good Omens,” a 1990 novel of apocalyptic satire that provides much of the source material for the present-day Amazon TV serial, has any right to be so consistently funny, insightful, and even, by the end of it all, surprisingly poignant.